Art Beyond Aesthetics: the Spiritual Dimension of Natyashastra

The Natyashastra is an ancient encyclopedic treatise on the performing arts, composed by sage Bharat Muni (somewhere between 500 BCE – 500 CE). The ancient Indian view of art as expressed in the text, was much broader than mere aesthetics. Art was profoundly explored as a way to experience the Divine. Read on for a personal experiential account.

Seeking Shiva

“The distinction between “with qualities” and
“without qualities” does not exist in Him;
He’s beyond both attachment and non-attachment;
Stainless, He’s beyond all forms.
He’s beyond both qualities and the absence of qualities;
Though formless, He’s the substance of all forms.
So how can I worship that Shiva, who exists
everywhere, like space!” – Avadhuta Gita |

Exploring the significance of Mahashivratri (the darkest night of the year), for seeking Shiva.

Osho on Sanskrit

“The Sanskrit language is called DEVAVANI – the divine language. And it certainly is divine in the sense because it is the most poetic and the most musical language. Each word has a music around it, a certain aroma”.
Read more of what spiritual master Osho had to say about the Sanskrit language.