“In the distant past, the land that would be India played host to a war between ancient aliens, whose cross-temporal battles contributed to the country’s rich myths and legends. Kali, oldest and deadliest of these creatures, was thought defeated long, long ago; her body scattered throughout time to prevent her return. But her psychic essence could not be killed… nor her millennia-long quest for vengeance.
“Now, in the 23rd Century, she is on the brink of resurrection. And with India at the forefront of human spaceflight, it’s not only Earth that falls to her predations if she succeeds – but the whole cosmos!
“In a race against time, and across it, the Doctor and Clara must gather secrets, intelligence and allies from across India’s past, present and future – if they are to survive… THE SWORDS OF KALI.”
This is the summary of the second story in the Doctor Who: The Twelfth Doctor comic strip published by the Titan Comics. The story portrays Goddess Kali, one of the most revered mother in Hinduism as an alien creature who is seeking revenge. The comic appears to have even appropriated the story of Sati and how her body parts were scattered after she burned herself in her father’s yajna (fire ritual) and distorted it to fit into their story of alien battles.
There is nothing wrong per se with the portrayal of Kali or other Hindu Gods and symbols in comics or movies. But, such a portrayal should be true to the meaning and depiction in the source culture and not a distortion as has so often been the case with Kali.
Mother Kali in Hindu tradition
The name Kali which is actually pronounced as “kaali” is taken from the root word “kaala” which can either mean time or darkness. Time denotes motion as time is always in motion. Time has no beginning. It is always changing. In fact, the whole universe and all its objects are always in motion, driven by time. The objects take birth, grow in size, decay and finally die. This whole process is driven by time. And Kali is one who is the essence of time, who is time herself.
Therefore, it is Kali who creates, controls and destroys the universe. She is called as “Adya-the oldest or the first” who is the source of all changes, all manifestations. The other meaning of the term i.e. “darkness” or “black”, also denotes the same meaning.
Just as the colour black denotes an absorption of all colours in science, Kali represents a state wherein the whole universe lies absorbed in an unmanifested seed state (also called as Mula-prakriti). Therefore, as the embodiment of time, she is the creator and sustainer of the universe, and as an embodiment of darkness, she denotes the dissolution of the universe.
She can be considered as equivalent to Samkhyan Prakriti and Vedantic Maya. Therefore, her name or her colour which is black, does not denote that she is a “monster” as many Western interpretations imply.
Now coming to her iconographic details, she is shown as having her tongue lolling out with blood dripping from her mouth. She is usually depicted as having four hands, with one holding a sword, another a severed head, the other two hands are in the mudras of granting blessings and grant fearlessness, or sometimes hold objects like lotus or a bowl. She is naked with dishevelled hair and is usually shown in the backdrop of a samshan (cremation ground). She wears a garland of skulls around her neck and a skirt made of severed hands.
Now, let us look at what these means. A garment is a covering draped on the body. The whole cosmos can be understood as the cosmic body of Kali. There is nothing outside it. Therefore she is without a garment, without a covering. Hence, she is naked. A garment can also represent the limitation of “rupa/form”. The manifestation of various objects is nothing but a manifestation of nama (name) and rupa (form). But, Kali being the unmanifested source has no rupa and hence is naked. The garment may also denote the three gunas i.e. Sattva, Rajas and Tamas, that is worn by Atman (Self) to become manifest as universe. Kali who is non-different from Atman in its absolute state, is without the gunas and hence naked. Therefore, there is no sexuality involved in her depiction as being naked; this is but another common misinterpretation.
The blood dripping from her mouth and her apparent blood-lust depicts a very specific spiritual process of “rakta-shuddi”, the purification of the blood. Blood is the most important carrier of the prana (vital force) in the physical body. The purification of the prana and hence of the blood is very important in Kundalini yoga. Goddess Kali is the one who purifies the prana. Her drinking of blood denotes this purification of blood and vital force. This drinking of blood can also mean the absorption of the individual vital forces into herself. That is, she liberates a person from bondage to physical body and helps him to merge his subtle body into hers thereby attaining spiritual union with her.
The severed head indicates the ego of the individuals that is afflicted with lust, anger, delusion and other passions of the mind. The sword is used to cut this unpurified ego. Goddess Kali is the one who grants purification of the mind by cutting off the limited ego that is afflicted with mental passions called “arishdvarga”. The hands showing the granting of boons and a sign of fearlessness needs no further explanation.
The severed hands represents karmas or actions. Hands are one of the organs of actions and hence is used as a symbol for karmas. She wears a skirt of severed hands, because it is she alone who is able to severe our karmas, and make us free of their bondage. She helps the spiritual practitioners to move towards moksha (liberation), by cutting of their karmas one by one.
The severed heads are sometimes depicted as being 51 in number that depict the 51 letters of Sanskrit and hence the whole domain of speech and knowledge. The garland of skulls may also denote that a person has to undergo hundreds of lives in various bodies before he could attain moksha. The dishevelled hair denote that she is not bound by the rules of human society.
She is usually depicted as having one of her legs on the chest of Lord Shiva who lies on the ground in a static state. This represents the Purusha–Prakriti aspect of Samkhya. Shiva is static absolute Brahman, Kali is the power of this Brahman to have motion. Therefore, Shiva is lying without movement and Kali is standing or dancing on him.
In some depictions, especially with respect to forms like Chinnamasta, the Shakti is shown as being in a sexual union with Shiva who is lying static on the ground. The imagery is a direct depiction of the cosmic union of Purusha and Prakriti. The fact that Brahman and his power are non-different is being depicted in this imagery. The sexual union being the physical imitation of the cosmic union, the imagery aims to highlight the cosmic and spiritual union through sexual union. Further, in certain tantrika sadhanas (tantrika practices), the sexual energy is used to attain a spiritual union.
But, these nuances are either missed or deliberately ignored in the western commentary on Hinduism. Their understanding and interpretation of Goddess Kali is completely alien to Hindu world-view. This freedom of expression without concepts like blasphemy is being misused by certain quarters of western academia, media, and entertainment industry. The tantrika philosophy and spirituality is dismissed as superstition and in their place, perverse, incorrect, and non-existent meanings are being attached to Goddess Kali and other Hindu deities and symbols. But, all is not lost.
Kali for the modern age
There are many authors and teachers in the West who have understood Hinduism and Hindu traditions in-depth. Their writings and teachings are in conformity with the Hindu philosophy. For example, books by authors like Dr David Frawley and Dr Robert Svoboda are very thorough and shed new light on ancient teachings.
On 7-August-2015, a huge image of Mother Kali was projected on the face of the Empire State Building. It was part of a display by filmmaker Louie Psihoyos and his team Projecting Change to create awareness about wildlife extinction. The display included projection of a large number of endangered animals and at the end of it the image of Mother Kali was depicted.
“This Kali apparition over Manhattan may be our last warning. Fierce protectress of truth, she tells it like it is, she beckons us to dive into the dark, to face the stark reality of the global ecological crisis upon us, and to let heartbreak be the ground from which we awaken and serve.”
It further adds:
“It is time to get our Kali on inside and out; to cut off the head and commit to the heart on all levels. So many of us are shedding our false selves, empty certainties and small lives, and no matter how much we wish for the safety of the old, the more desperately we hold on, the hotter the fires of the Real.”
Read also: The Divine Mother
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